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To maintain performance consistency, HDX products were specified with a fixed maximum number of voices each voice representing a monophonic channel.
Each HDX card enabled simultaneous voices at AAX was developed to provide the future implementation of bit plug-ins, although bit versions of AAX were still used in Pro Tools Notable software features introduced with Pro Tools 10 were editable clip-based gain automation Clip gain , the ability to load the session's audio data into RAM to improve transport responsiveness Disk caching , quadrupled Automatic Delay Compensation length, audio fades processed in real-time, timeline length extended to 24 hours, support for bit float audio and mixed audio formats within the session, and the addition of Avid Channel Strip plug-in based on Euphonix System 5 console's channel strip, following Avid's acquisition of Euphonix in Pro Tools 11, released in June , switched from bit to bit software architecture with new audio and video engines, enabling the application and plug-ins to fully take advantage of system memory.
The new audio engine AAE introduced support of offline bouncing and simultaneous mixdowns multiple sources; dynamic plug-in processing allowed to reduce CPU usage when active native plug-ins don't receive any input. Two separate buffers were used for playback and for monitoring of record-enabled or input-monitored tracks.
Pro Tools workflow is organized into two main windows: the timeline is shown in the Edit window, while the mixer is shown in the Mix window.
The timeline provides a graphical representation of all types of tracks: the audio envelope or waveform when zoomed in for audio tracks, a piano roll showing MIDI notes and controller values for MIDI and Instrument tracks, a sequence of frame thumbnails for video tracks, audio levels for auxiliary, master and VCA master tracks.
Time can be measured and displayed on the timeline in different scales: bars and beats, time or SMPTE timecode with selectable frame rates , audio samples, or film stock feet for audio-for-film referencing based on the 35 mm film format.
Elastic Audio must be enabled to allow time stretching of audio clips. Audio and MIDI clips can be moved, cut, and duplicated non-destructively on the timeline edits change the clip organization on the timeline, but source files are not overwritten.
All other types of audio processing can be rendered on the timeline with the AudioSuite non-real-time version of AAX plug-ins. MIDI notes, velocities, and controllers can be edited directly on the timeline, each MIDI track showing an individual piano roll, or in a specific window, where several MIDI and Instrument tracks can be shown together in a single piano roll with color-coding.
Multiple MIDI controllers for each track can be viewed and edited on different lanes. Video files can be imported to one or more video tracks and organized in multiple playlists.
Multiple video files can be edited together and played back in real-time. Video output from one video track is provided in a separate window or can be viewed full screen. It also can show additional controls for the inserted virtual instrument , mic preamp gain, HEAT settings, and the EQ curve of supported plug-ins.
Audio can be routed to and from different outputs and inputs, both physical and internal. Internal routing is achieved using busses and auxiliary tracks; each track can have multiple output assignments.
Audio, auxiliary, and Instrument tracks or MIDI tracks routed to a virtual instrument plug-in can be committed to new tracks containing their rendered output. Virtual instruments can be committed to audio to prepare an arrangement project for mixing; track commit is also used to free up system resources during mixing or when the session is shared with systems not having some plug-ins installed. Multiple tracks can be rendered at a time; it is also possible to render a specific timeline selection and define which range of inserts to render.
Similarly, tracks can be frozen with their output rendered at the end of the plug-in chain or at a specific insert of their chain. Editing is suspended on frozen tracks, but they can subsequently be unfrozen if further adjustments are needed. For example, virtual instruments can be frozen to free up system memory and improve performance while keeping the possibility to unfreeze them to make arrangement changes.
The main mix of the session—or any internal mix bus or output path—can be bounced to disk in real-time if hardware inserts from analog hardware are used, or if any audio or MIDI source is monitored live into the session or offline faster-than-real-time.
The selected source can be mixed to mono, stereo, or any other multichannel format. Multichannel mixdowns can be written as an interleaved audio file or in multiple mono files. Up to 24 sources of up to 10 channels each can be mixed down simultaneously—for example, to deliver audio stems.
AAF and OMF sequences embed audio and video files with their metadata; when opened by the destination application, session structure is rebuilt with the original clip placement, edits, and basic track and clip automation. Track contents and any of its properties can be selectively exchanged between Pro Tools sessions with Import Session Data for example, importing audio clips from an external session to a designated track while keeping track settings or importing track inserts while keeping audio clips.
Pro Tools projects can be synchronized to the Avid Cloud and shared with other users on a track-by-track basis. Different users can simultaneously work on the project and upload new tracks or any changes to existing tracks such as audio and MIDI clips, automation, inserted plug-ins, and mixer status or alterations to the project structure such as tempo, meter, or key.
Pro Tools reads embedded metadata in media files to manage multichannel recordings made by field recorders in production sound. All stored metadata such as scene and take numbers, tape or sound roll name, or production comments can be accessed in the Workspace browser. Analogous audio clips are identified by overlapping longitudinal timecode LTC and by one or more user-defined criteria such as matching file length, file name, or scene and take numbers.
An audio segment can be replaced from matching channels for example, to replace audio from a boom microphone with the audio from a lavalier microphone while maintaining edits and fades in the timeline, or any matching channels can be added to new tracks. Up to twelve Pro Tools Ultimate systems with dedicated hardware can be linked together over an Ethernet network—for example, in multi-user mixing environments where different mix components such as dialog, ADR, effects, and music reside on different systems, or if a larger track count or processing power is needed.
Transport, solo, and mute are controlled by a single system and with a single control surface. Pro Tools software is available in a standard edition informally called "Vanilla" [] providing all the key features for audio mixing and post-production, a complete edition officially called "Ultimate" and known as "HD" between and , which unlocks functionality for advanced workflows and a higher track count.
The starter edition of Pro Tools called "First" was discontinued in In mids, Digidesign started working on a studio device that could replace classic analog consoles and provide integration with Pro Tools. ProControl was the first Digidesign control surface, providing motorized, touch-sensitive faders, an analog control room communication section, and connecting to the host computer via Ethernet. ProControl could be later expanded by adding up to five fader packs, each providing eight additional fader strips and controls.
Control 24 added 5. Command 8 and D-Command were the smaller counterparts of Control 24 and D-Control, connected with the host computer via USB; Venue was a similar system specifically designed for live sound applications. They were integrated with Pro Tools along with the EuCon protocols. From Wikipedia, the free encyclopedia. Digital audio workstation. For other uses, see Pro Tools disambiguation. Pro Tools List of languages. This section needs to be updated. Please help update this article to reflect recent events or newly available information.
May Music portal. Release April 22, Date Added April 22, Version Operating Systems. Additional Requirements None. Total Downloads 3,, Downloads Last Week Report Software. Related Software. Balabolka Free. Record audio, mix music, vocal, and audio tracks to create professional recordings.
Audacity Portable Free. Edit your digital audio files right from any portable storage device. Released on 3 December Released in September Version 7 is the final Vegas release to include Windows support. It also moved the timeline to the bottom by default, but the user can still move it back to the top.
The latest release of Sony Vegas Pro 9. As a result, they are no longer available as a separate product from Velvetmatter. Sony announced Vegas Pro 11 on 9 September , and it was released on 17 October Sony released Vegas Pro 12 on 9 November Updated features include enhanced 4K support, more visual effects, and faster encoding performance.
Vegas Pro 12 is dedicated to bit versions of Windows. Sony released Vegas Pro 13 on 11 April It brings new collaboration tools and streamlined workflows to professional content producers faced with a wide variety of multimedia production tasks. This is the final Vegas Pro release under Sony's ownership. The last Sony Vegas Pro 13 build was MAGIX released a rebranded version build It features advanced 4K upscaling as well as various bug fixes, a higher video velocity limit, RED camera support and various other features, this was the last version of Vegas Pro to have the light theme set by default.
Released on 28 August , Vegas Pro 15 features major UI changes which claimed to bring usability improvements and customization. It was the first version of VEGAS Pro to have a dark theme, it also allows more efficient editing speeds, including adding new shortcuts to speed up editing.
Released on 5 August It contains these new features: [17]. Released on 3 August New Features: [18]. Major broadcasters have utilized the software, including Nightline with Ted Koppel. From Wikipedia, the free encyclopedia. Video editing software.
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Please help improve this article by adding citations to reliable sources. The network also provides daytime programming from a. CBS Sports programming is also provided most weekend afternoons. Due to the unpredictable length of sporting events, CBS occasionally delays scheduled primetime programs to allow the programs to air in their entirety, a practice most commonly seen with Sunday Night Football.
It is the home of the long-running game show The Price Is Right , which began production in and is the longest continuously running daytime game show on network television. After being hosted by Bob Barker for 35 years, the show has been hosted since by actor and comedian Drew Carey. The network is also home to the current incarnation of Let's Make a Deal , hosted by singer and comedian Wayne Brady.
CBS is the only commercial broadcast network that continues to broadcast daytime game shows. Past game shows that have had both daytime and prime time runs on the network include Beat the Clock , To Tell the Truth , and Password. Two long-running primetime-only games were the panel shows What's My Line? It debuted in October CBS Daytime airs two daytime soap operas each weekday: the hour-long series The Young and the Restless , which debuted in , and the half-hour series The Bold and the Beautiful , which debuted in CBS broadcast the live-action series Captain Kangaroo on weekday mornings from to , and on Saturdays until From to , CBS News produced a series of one-minute segments titled In the News , which aired between other Saturday morning programs.
In September , CBS began contracting the time period out to other companies to provide programming and material for its Saturday morning schedule. After its agreement with Nelvana ended, the network then entered into a deal with Nickelodeon to air programming from its Nick Jr. From to , live-action and animated Nickelodeon series aimed at older children also aired as part of the block under the name Nick on CBS.
In March , CBS entered into a three-year agreement with DIC Entertainment , which was acquired later that year by the Cookie Jar Group , to program the Saturday morning time slot as part of a deal that included distribution of select tape-delayed Formula One auto races. On February 24, , it was announced that CBS would renew its contract with Cookie Jar for another three seasons through On July 24, , CBS entered into an agreement with Litton Entertainment , which already programmed a syndicated Saturday morning block exclusive to ABC stations and would later produce a block for CBS sister network The CW that would debut the following year, to launch a new Saturday morning block featuring live-action reality-based lifestyle, wildlife, and sports series.
CBS was the original broadcast network home of the animated primetime holiday specials based on the Peanuts comic strip, beginning with A Charlie Brown Christmas in Over 30 holiday Peanuts specials each for a specific holiday such as Halloween were broadcast on CBS until , when the broadcast rights were acquired by ABC.
CBS also aired several primetime animated specials based on the works of Dr. Seuss Theodor Geisel , beginning with How the Grinch Stole Christmas in , as well as several specials based on the Garfield comic strip during the s which led to Garfield getting his own Saturday morning cartoon on the network, Garfield and Friends , which ran from to All of these animated specials, from to , began with a fondly remembered seven-second animated opening sequence, in which the words "A CBS Special Presentation" were displayed in colorful lettering the ITC Avant Garde typeface, widely used in the s, was used for the title logo.
The word "SPECIAL", in all caps and repeated multiple times in multiple colors, slowly zoomed out from the frame in a spinning counterclockwise motion against a black background, and rapidly zoomed back into frame as a single word, in white, at the end; the sequence was accompanied by a jazzy though majestic up-tempo fanfare with dramatic horns and percussion which was edited incidental music from the CBS crime drama Hawaii Five-O , titled "Call to Danger" on the Capitol Records soundtrack LP.
This opening sequence appeared immediately before all CBS specials of the period such as the Miss USA pageants and the annual presentation of the Kennedy Center Honors , in addition to animated specials this opening was presumably designed by or under the supervision of longtime CBS creative director Lou Dorfsman , who oversaw print and on-air graphics for CBS for nearly 30 years, replacing William Golden , who died in Telecast every few months between and , first in black-and-white and then in color beginning in , these programs introduced millions of children to classical music through the eloquent commentaries of Bernstein.
The specials were nominated for several Emmy Awards , including two wins in and later in , [27] and were among the first programs ever broadcast from the Lincoln Center for the Performing Arts. Over the years, CBS has broadcast three different productions of Tchaikovsky's ballet The Nutcracker — two live telecasts of the George Balanchine New York City Ballet production in and respectively, a little-known German-American filmed production in which was subsequently repeated three times and starred Edward Villella , Patricia McBride and Melissa Hayden , and beginning in , the Mikhail Baryshnikov staging of the ballet, starring the Russian dancer along with Gelsey Kirkland — a version that would become a television classic, and remains so today the broadcast of this production later moved to PBS.
In April , CBS presented a slightly abbreviated version of Horowitz in Moscow , a live piano recital by pianist Vladimir Horowitz , which marked his return to Russia after over 60 years. Eastern Time in the U.
It was so successful that CBS repeated it a mere two months later by popular demand, this time on videotape, rather than live. In later years, the program was shown as a standalone special on PBS ; the current DVD of the telecast omits the commentary by Charles Kuralt , but includes additional selections not heard on the CBS telecast. The program was a concert commemorating the re-opening of Carnegie Hall after its complete renovation.
A range of artists were featured, from classical conductor Leonard Bernstein to popular music singer Frank Sinatra. Based upon the classic Charles Perrault fairy tale , it is the only Rodgers and Hammerstein musical to have been written for television.
It was originally broadcast live in color on CBS on March 31, , as a vehicle for Julie Andrews , who played the title role; that broadcast was seen by over million people. It was subsequently remade by CBS in , with Lesley Ann Warren, Stuart Damon, Ginger Rogers , and Walter Pidgeon among its stars; the remake also included the new song "Loneliness of Evening", which was originally composed in for South Pacific but was not performed in that musical. CBS was also the original broadcast home for the primetime specials produced by the National Geographic Society.
The Geographic series in the U. The specials have featured stories on many scientific figures such as Louis Leakey , Jacques Cousteau and Jane Goodall , that not only featured their work but helped make them internationally known and accessible to millions. A majority of the specials were narrated by various actors, notably Alexander Scourby during the CBS run. The success of the specials led in part to the creation of the National Geographic Channel , a cable channel launched in January as a joint venture between the National Geographic Society and Fox Cable Networks.
The specials' distinctive theme music, by Elmer Bernstein , was also adopted by the National Geographic Channel. The Miss USA beauty pageant aired on CBS from to ; during a large portion of that period, the telecast was often emceed by the host of one of the network's game shows. John Charles Daly hosted the show from to , succeeded by Bob Barker from to at which point Barker, an animal rights activist who eventually convinced producers of The Price Is Right to cease offering fur coats as prizes on the program, quit in a dispute over their use , Alan Thicke in , Dick Clark from to , and Bob Goen from to The pageant's highest viewership was recorded in the early s, when it regularly topped the Nielsen ratings on the week of its broadcast.
On June 1, , it was announced that Elvis Presley had signed a deal with CBS to appear in a new television special. Since their inception in , CBS has been the sole broadcaster of The Kennedy Center Honors , a two-hour performing arts tribute typically taped and edited in December for later broadcast during the holiday season. CBS has 15 owned-and-operated stations, and current and pending affiliation agreements with additional television stations encompassing 51 states, the District of Columbia, two U.
Vincent and the Grenadines. CBS provides video on demand access for delayed viewing of the network's programming through various means, including via its website at CBS. Upon the release of the app in March , CBS restricted streaming of the most recent episode of any of the network's program on its streaming app for Apple iOS devices until eight days after their initial broadcast in order to encourage live or same-week via both DVR and cable on demand viewing; programming selections on the app were limited until the release of its Google Play and Windows 8 apps in October , expanded the selections to include full episodes of all CBS series to which the network does not license the streaming rights to other services.
CBS All Access offers the most recent episodes of the network's shows the day after their original broadcast, as well as complete back catalogs of most of its current series and a wide selection of episodes of classic series from the CBS Television Distribution and ViacomCBS Domestic Media Networks program library, to subscribers of the service. In December , the service was launched in Australia under the name 10 All Access , due to its affiliation with CBS-owned free to air broadcaster Network Due to local programming rights, not all content is shared with its US counterpart, whilst the Australian version also features numerous full seasons of local Network 10 shows, all commercial-free.
The name was also extended to international markets and services such as 10 All Access. CBS's master feed is transmitted in i high definition , the native resolution format for CBS Corporation's television properties. However, seven of its affiliates transmit the network's programming in p HD, while seven others carry the network feed in i standard definition [37] either due to technical considerations for affiliates of other major networks that carry CBS programming on a digital subchannel or because a primary feed CBS affiliate has not yet upgraded their transmission equipment to allow content to be presented in HD.
The network gradually converted much of its existing programming from standard definition to high definition beginning with the —01 season , with select shows among that season's slate of freshmen scripted series being broadcast in HD starting with their debuts. CBS's year conversion to an entirely high definition schedule ended in , with Big Brother and Let's Make a Deal becoming the final two series to convert from standard definition to HD in contrast, NBC, Fox and The CW were already airing their entire programming schedules — outside of Saturday mornings — in high definition by the —11 season, while ABC was broadcasting its entire schedule in HD by the —12 midseason.
All of the network's programming has been presented in full HD since then with the exception of certain holiday specials produced prior to — such as the Rankin-Bass specials — which continue to be presented in SD, although some have been remastered for HD broadcast.
On September 1, , when ABC converted to a widescreen presentation, CBS and The CW were the only remaining networks that framed their promotions and on-screen graphical elements for a presentation, though with CBS Sports' de facto conversion with Super Bowl 50 and their new graphical presentation designed for framing, in practice, most CBS affiliates ask pay-TV providers to pass down a widescreen presentation by default over their standard definition channels.
This continued for CBS until September 24, , when the network converted its on-screen graphical elements to a widescreen presentation for all non-news and sports programs. Litton Entertainment continues to frame the graphical elements in their programs for Dream Team within a frame due to them being positioned for future syndicated sales, though all of its programming has been in high definition.
The CBS television network's initial logo, used from the s to , consisted of an oval spotlight which shone on the block letters "CBS". While the logo is commonly attributed to Golden, some design work may have been done by CBS staff designer Georg Olden , one of the first African-Americans to attract some attention in the postwar graphic design field.
The following season, as Golden prepared a new "ident", CBS President Frank Stanton insisted on keeping the Eye device and using it as much as possible. Golden died unexpectedly in , and was replaced by Lou Dorfsman , one of his top assistants, who would go on to oversee all print and on-air graphics for CBS for the next 30 years.
The CBS eye has since become a widely recognized symbol. While the logo has been used in different ways, the Eye device itself has not been redesigned in its history.
In October , the network celebrated the 60th anniversary of the introduction of the Eye logo, featuring special IDs of logo versions from previous CBS image campaigns being shown during the network's primetime lineup.
CBS historically used a specially-commissioned variant of Didot , a close relative to Bodoni , as its corporate font until CBS has developed several notable image campaigns, and several of the network's most well-known slogans were introduced in the s.
The "Reach for the Stars" campaign used during the —82 season features a space theme to capitalize on both CBS's stellar improvement in the ratings and the historic launch of the space shuttle Columbia. Vocals for the campaign's jingle were contributed by Richie Havens —84; one occasion in —85 and Kenny Rogers — The —87 season ushered in the "Share the Spirit of CBS" campaign, the network's first to completely use computer graphics and digital video effects.
Unlike most network campaign promos, the full-length version of "Share the Spirit" not only showed a brief clip preview of each new fall series, but also utilized CGI effects to map out the entire fall schedule by night. Like its predecessor, most "CBSpirit" promos utilized a procession of clips from the network's programs. However, the new graphic motif was a swirling or "swishing" blue line that was used to represent "the spirit".
The full-length promo, like the previous year, had a special portion that identified new fall shows, but the mapped-out fall schedule shot was abandoned. The goal was to convey a more sensual, new-age image through distinguished, advanced-looking computer graphics and soothing music, backgrounding images and clips of emotionally powerful scenes and characters. However, it was this season in which CBS saw its ratings freefall, the deepest in the network's history.
The initial version was an ambitious campaign that attempted to elevate CBS out of last place among the major networks ; the motif centered around network stars interacting with each other in a remote studio set, getting ready for photo and television shoots, as well as for the new season on CBS.
The high-energy promo song and the campaign's practices saw many customized variations by all of CBS's owned-and-operated stations and affiliates, which participated in the campaign per a network mandate. For the —91 season , the campaign featured a new jingle performed by the Temptations , which featured an altered version of their hit " Get Ready ".
During the season for the end-of-show network identification sequence, a four-note sound mark was introduced, which was eventually adapted into the network's IDs and production company vanity cards following the closing credits of most of its programs during the "Welcome Home" era. Throughout the s, CBS's ratings resurgence was backed by the network's "It's All Here" campaign which introduced updated versions of the sound mark used during certain promotions and production company vanity cards during the closing credits of programs ; in campaign introduced the slogan "Everybody's Watching", the network's strategy led to the proclamation that it was "America's Most Watched Network".
In , the network introduced a campaign entitled "Only CBS", in which network promotions proclaim several unique qualities it has the slogan was also used in program promotions following the announcement of the timeslot of a particular program. In October , CBS announced that it will begin to employ a more unified branding between the network and its divisions to strengthen brand awareness across platforms. The network also dropped the "America's Most Watched Network" and "Only CBS" taglines, with chief marketing officer Michael Benson explaining that they aimed to "be something where people feel like they are part of the family.
It's tough to unify if you're bragging about yourself. In the U. Entertainment and non-breaking news programming is shown day and date on a one-day broadcast delay , as Guam is located on the west side of the International Date Line for example, NCIS , which airs on Tuesday nights, is carried Wednesdays on KUAM-LP, and is advertised by the station as airing on the latter night in on-air promotions , with live programming and breaking news coverage airing as scheduled, meaning live sports coverage often airs early in the morning.
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